Guillaume de Machaut
The Motets
Year 2011 (republication
of original 2002 recording)
Label Æon
Reference AECD 1108
Duration 85:22
Format CD (2)
The beauty, the richness, the diversity of the twenty three motets by Guillaume de Machaut leaves us unable to choose. We have decided to launch ourselves into the adventure of recording it in its entirety. It took us two years of work and research, during which we dug deeper into each motet, at the levels of style and instrumentation. This research finally enabled us to interpret the work freely. In effect, all the while preserving the overall form of each motet, we deciphered between each voice, privileging either the ‘tenure’ or ‘tenor’; the ‘motets’ or ‘duplum’ (second voice); or the ‘triplum’ (third voice).
The choice to rework the pronunciation into French seemed to us of paramount importance. In this way the richness of the vocal range was preserved, which is able to carry the notes. To this end, we introduced some instrumental ‘diminishing’, which joins the instruments and adorns the initial lines of vocals.
With this recording, we deliver a veritable microcosm, which reunites most of the elements in the musical and poetic contexts, known today but also popular in Machaut’s era. The idea within the music of a treasure hunt, or a themed journey, is conceivable. If we take the allusions to the ‘Novel of the Rose’, we could go from the fourth motet to thirteen, fourteen and fifteen. Or even, by following the passage of the conductor through these sacred motets, listen to motets nine, eighteen, nineteen, twenty one, twenty two, and twenty three. This game could be infinite, such is the extent that these motets seem to connect to a prism structure, which, in its crystalline form, has its true complexity exposed through light.
We hope that you will be as moved as much as us by this rare work and by our proposed interpretation.
Guillaume de Machaut, Motet 21
Anne Quentin
Marie-Claude Vallin
Christel Boiron
Caroline Magalhaes
cantus
Lucien Kandel
Thierry Peteau
tenors
Marc Busnel
bassus
Gwénaël Bihan
recorder
Marion Fourquier
harp
Lucas G. Peres
vielle solo (motet 11)
Martin Bauer
vielle
Patrick Bernartene
percussions
CD 1
01. Motet no. 6 : S’il estoit nuls qui pleindre se deust
02. Motet no. 6 : Et gaudebit cor vestrum
03. Motet no. 8 : Et non est qui adjuvet
04. Motet no. 3 : Fine amour
05. Motet no. 9 : Fera pessima
06. Motet no. 5 : Fias volontas tua
07. Motet no. 13 : Eins que ma dame
08. Motet no. 13 : Tant doucement
09. Motet no. 14 : De ma dolour
10. Motet no. 14 : Maugre mon cuer
11. Motet no. 15 : Vidi dominum
12. Motet no. 19 : A christo honoratus
13. Motet no. 18 : Bone pastor
14. Motet no. 4 : De bon espoir
15. Motet no. 7 : Ego moriar pro te
16. Motet no. 20 : Je ne suis mie certeins
17. Motet no. 17 : Super omnes speciosa
18. Motet no. 21 : Tribulatio proxima est
CD 2
01. Motet no. 4 : Puis que la douce roussée
02. Motet no. 11 : Fins cuers dous
03. Rondeau (anonyme): Por coi me bait mes maris ?
04. Motet no. 16 : Por coi me bait mes maris
05. Motet no. 23 : Ad te suspiramus gemetes et flentes
06. Motet no. 20 : Je ne suis mie certeins (instrumental)
07. Motet no. 12 : Libera me
08. Motet no. 15 : Vidi dominum (instrumental diminution)
09. Motet no. 1 : Amara valde
10. Motet no. 2 : Suspiro
11. Motet no. 4: Speravi (instrumental)
12. Motet no. 10 : Obediens usque ad morten
13. Motet no. 17 : Super omnes speciosa
14. Motet no. 11 : Fins cuers dous (instrumental)
15. Motet no. 22 : Apprehende arma et scutum et exurge
16. Motet no. 3 : Quare non sum mortuus